Marian Keyes begins Watermelon with a rather inauspicious romantic opening when the heroine's husband leaves her for Denise from the flat downstairs the day their first child is born. Claire, the deserted wife and mother, returns to her family in Dublin and, after going through the required stages of "Loss, Loneliness, Hopelessness and Humiliation", begins to feel much better--so much better that when James tries to win his way back into her affections, he gets more than he bargained for.
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The fast lane is much too slow for Rachel Walsh. And Manhattan is the perfect place for a young Irish female to overdo everything. But Rachel's love of a good time is about to land her in the emergency room. It will also cost her a job and the boyfriend she adores.
When her loving family hustles her back home and checks her into Ireland's answer to the Betty Ford Clinic, Rachel is hopeful. Perhaps it will be lovely—spa treatments, celebrities, that kind of thing. Instead, she finds a lot of group therapy, which leads her, against her will, to some important self-knowledge. She will also find something that all women like herself fear: a man who might actually be good for her.
After catching her husband having an affair and being fired from her job, Maggie Walsh suddenly finds her perfectly organized existence has become a perfect mess. She decides, for the first time in her life, to do something daring -- and flees to her best friend, Emily, in the faraway wonderland of Los Angeles. In this mecca of tanned, beautiful bodies, unsvelte, uncool Maggie is decidedly a fish out of water. Yet, overnight, she's mixing with film folk, pitching scripts, even experimenting with sex -- and discovering that the end of a marriage is not the end of the world.
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Anna Walsh is officially a wreck. Physically broken and emotionally shattered, she lies on her parents' Dublin sofa with only one thing on her mind: getting back to New York. New York means her best friends, The Most Fabulous Job In The World™ and above all, it means her husband, Aidan.
But nothing in Anna's life is that simple anymore. Not only is her return to Manhattan complicated by her physical and emotional scars – but Aidan seems to have vanished. Is it time for Anna to move on? Is it even possible for her to move on? A motley group of misfits, an earth-shattering revelation, two births and one very weird wedding might help Anna find some answers – and change her life forever.
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Helen Walsh doesn’t believe in fear – it’s just a thing invented by men to get all the money and good job – and yet she’s sinking. Her work as a Private Investigator has dried up, her flat has been repossessed and now some old demons have resurfaced.
Not least in the form of her charming but dodgy ex-boyfriend Jay Parker, who shows up with a missing persons case. Money is tight – so tight Helen’s had to move back in with her elderly parents – and Jay is awash with cash. The missing person is Wayne Diffney, the ‘Wacky One’ from boyband Laddz. He’s vanished from his house in Mercy Close and it’s vital that he’s found – Laddz have a sell-out comeback gig in five days’ time.
Things ended messily with Jay. And she’s never going back there. Besides she has a new boyfriend now, the very sexy detective Artie Devlin and it’s all going well, even though his ex-wife isn’t quite ‘ex’ enough and his teenage son hates her. But the reappearance of Jay is stirring up all kinds of stuff she thought she’d left behind.
Playing by her own rules, Helen is drawn into a dark and glamorous world, where her worst enemy is her own head and where increasingly the only person she feels connected to is Wayne, a man she’s never even met.
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