Now take a closer look at Sookie and her family, friends, enemies, adventures, and-of course-the lovers who set her world on fire.
Visit Bon Temps, the small Louisiana town that Sookie calls home, with a detailed map created by Charlaine herself, and learn the characteristics of the supernaturals who live there: vampires, two- natured, and fae. Examine all the branches of Sookie's family tree. And eavesdrop on the private conversations between rival vampires Eric and Bill.
Also, enjoy the compelling, never-before-published novella "Small- Town Wedding," in which Sookie accompanies her shape-shifting boss, Sam, to his brother's wedding in Texas, where happily-ever-after seems very far away.
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Sookie Stackhouse 11: Dead Reckoning
There's a reckoning on the way.
Sookie Stackhouse is a cocktail waitress in Bon Temps, Louisiana. It's a job which has its own challenges, but now the vampires and the shapeshifters are finally 'out', you'd think the supernaturals would get on with each other. But nothing is that simple in Bon Temps!
And Sookie has a knack for being in trouble's way; not least when she witnesses the firebombing of Merlotte's, the bar where she works. Since Sam Merlotte is known to be two-natured, suspicion falls immediately on the anti-shifters in the area. Sookie suspects otherwise, but before she can investigate something else - something even more dangerous - comes up.
Sookie's lover Eric Northman, and his 'child' Pam are plotting something in secret. Whatever it is, they seem determined to keep Sookie out of it; almost as determined as Sookie is to find out what's going on. She can't sit on the sidelines when both her work and her love life are under threat - but as their plans gradually become clear Sookie finds the situation is deadlier than she could ever have imagined.
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Sookie Stackhouse 12: Deadlocked
Sookie has a murder investigation on her hands.
A young girl has died at a vampire party - and it looks as though her lover, Eric, might be responsible. Eric swears he didn't do it, the police don't believe him, and even Sookie isn't so sure. Nor is she inclined to take his word for it, not having caught him enjoying the victim's blood minutes before she was killed.
But something strange is going on. Why had Sookie been asked to come to the fateful party a few minutes early - just to catch Eric in the act? And why had the victim spiked her own blood before approaching Eric? Was it simply because she wanted to be irresistable, or was it something more sinister?
Sookie will have to find out but it's the worst moment to investigate, as her Fae family are having troubles of their own and Sookie is, inevitably, drawn in. And there is one last complication. The cluviel dor her grandmother left her. It will grant her one wish, which could fulfil Sookie's heart's desire. The only problem is, she still doesn't know what - or who - her heart truly desires.
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Sookie Stackhouse 13: Dead Ever After
Sookie Stackhouse has one last adventure in store.
Life has taken her from a waitress in Merlotte’s Bar, Bon Temps, to part owner; from social outcast to the heart of her community; from a vampire’s girlfriend to the wife of one of the most powerful vampires in the state. She has survived earthquakes, revolutions and attempts on her life. Sookie has endured betrayal, heartbreak and grief and she has emerged a little stronger, and little wiser, every time.
But with life comes new trials.
The question is, in the end: who will love, who will live, and who will be dead ever after?
Sookie finds it easy to turn down the request of former barmaid Arlene when she wants her job back at Merlotte’s. After all, Arlene tried to have Sookie killed. But her relationship with Eric Northman is not so clearcut. He and his vampires are keeping their distance…and a cold silence. And when Sookie learns the reason why, she is devastated. Then a shocking murder rocks Bon Temps, and Sookie is arrested for the crime. But the evidence against Sookie is weak, and she makes bail. Investigating the killing, she’ll learn that what passes for truth in Bon Temps is only a convenient lie. What passes for justice is more spilled blood. And what passes for love is never enough.
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