She's just a New York City girl living with her artist mom.
News Flash: Dad is prince of Genovia. (So that's why a limo meets her at the airport!)
Downer: Dad can't have any more kids. (So no heir to the throne.)
Shock of the Century: Like it or not, Mia Thermopolis is prime princess material.
Mia must take princess lessons from her dreaded grandmére, the dowager princess of Genovia, who thinks Mia has a thing or two to learn before she steps up to the throne.
Well, her father can lecture her until he's royal-blue in the face about her princessly duty--no way is she moving to Genovia and leaving Manhattan behind. But what's a girl to do when her name is Princess Amelia Mignonette Grimaldi Thermopolis Renaldo?
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No one ever said being a princess was easy.
Just when Mia thought she had the whole princess thing under control, things get out of hand, fast. First there's an unexpected announcement from her mother. Then Grandmère arranges a national primetime interview for the brand-new crown princess of Genovia. On top of that, intriguing, exasperating letters from a secret admirer begin to arrive.
Before she even has the chance to wonder who those letters are from, Mia is swept up in a whirlwind of royal intrigue the likes of which hasn't been seen since volume I of The Princess Diaries.
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Princess Amelia Mignonette Grimaldi Thermopolis Renaldo may seem the luckiest girl ever.She's a princess, for starters. She also lives in New York City. And while she's no supermodel, mirrors do not crack at her reflection. Best of all, she finally has a boyfriend.
The truth is, however, that Mia spends all her time doing one of three things: preparing for her nerve-racking entrE e into Genovian society under the slave-driving but elegant Grandmere, slogging through congestion unique to Manhattan in December, and avoiding further smooches from her hapless boyfriend, Kenny.
All she wants is a little peace and quiet and a certain someone else to be her boyfriend. For Mia, being a princess in love is not the fairy tale it's supposed to be or is it?
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Never before has the world seen such a princess.
Nor have her own subjects, for that matter. Mia's royal introduction to Genovia has mixed results: while her fashion sense is widely applauded, her position on the installation of public parking meters is met with resistance.
But the politics of bureaucracy are nothing next to Mia's real troubles. Between canceled dates with her long—sought—after royal consort, a second semester of the dreaded Algebra, more princess lessons from Grandmère as a result of the Genovian parking—meter thing, and the inability to stop gnawing on her fingernails, isn't there anything Mia is good at besides inheriting an unwanted royal title?
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What on earth is that princess up to now?
Hammer in hand, Princess Mia embarks on an epic adventure for one so admittedly unhandy: Along with her cohorts from school, she's off to build houses for the less fortunate. It doesn't take Mia long to realize that helping others -- while an unimpeachably noble pastime -- is very hard work. Will her giving spirit prevail? Will the house collapse due to royally clumsy construction? And most importantly, will Michael stop working long enough to kiss her?
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